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Vincenzo Verga, a passion for painting and art lucky enough to pass through two centuries of great change

We live in an era when the prevailing youthfulness makes it difficult to capitalize on the knowledge and experience of the "wise old men", which represented up to a few decades ago an extremely important asset of subjective and collective history.

Like many of his contemporaries, including Vincenzo Verga, Secretary of Murarte (the open-air art gallery Cadorago), administrators in the 70's, has gradually withdrew from the scene, but has maintained a relationship with the company and the country alive and curious enough to get to be right here, a small painting school run by some internationally renowned artists such as Vanni Saltarelli, which now involves nearly 50 participants. And with Vincenzo Verga - to which we give our best wishes for a happy birthday just passed - we wanted to complete the first interview that "bush" will publish in each issue, going to find those figures who for various reasons - and in ways very different - have marked the history of our community.


Question: For once, let's start from the end, or what are the fundamental teachings received in the course of his life?
Answer: First of all I must stress that I consider myself very fortunate to have had the opportunity to cross the 20 th and 21 th century, being able to observe the great upheavals that have marked the company: the passing of two wars global and totalitarian regimes, the revival of social and economic systems more open, the diffusion of technological tools that can help overcome the barriers, a greater access to information assets that were unthinkable a few years ago, and more.
This, then, is part of my personal wealth, gained thanks to the passion, interest in the simple things and beautiful things that I tried to put in my life.

Question: Where did, then, the passion for painting and art?
Answer: My father died at age 40, when I do I was eight, and despite my passion for painting and art, I found myself in need to pursue studies that allowed me to quickly reach a future career, so I went to start-up industry in Como and then the Institute of evening radio engineer Milan.
But during start-up industry, to participate in a competition between the various schools of Como, I was able to concentrate for a whole quarter on the design, to create a drawing in charcoal of 2-3 meters, which exemplified the cycle processing of wool from the sheep up to the fabric and another illustration on the mines.

Question: And here the question arises, from where he started, then, Murarte?

Answer: between 1968 and 1969, thanks to the passion for painting Cadorago of other citizens, such as Dr. Invernizzi and Don Pietro Della Vedova, was born the opportunity to launch an initiative called "Cadorago painting prize, which takes advantage of the availability of physical space - the shop of electrical appliances that had opened in the meantime - and economic support of a number of companies.
early as 1970-1971 with the support of the EPT (Ente Provinciale del Turismo) Como and the interest of some other people rooted in Cadorago, the event has expanded and has become the prize Cadorago Lario, with a exhibition organized in the space of Broletto.
What actually interested participants Award was also the high level of jury members, which have included artists such as Sassu, Salvatore Fiume, and many others, so that in the edition of 1981 - held at Villa Olmo - had been possible to exhibit works is 3800 graphics from around the world.
In the twentieth anniversary of the event - in 1988 - we managed to have the presence of 200 artists who participated over the years and have collected a prize of up to 100 million lire.

Question: What was the turning point that brought Murarte in its current expression?
Answer: 'in March 1990 that the idea of \u200b\u200bturning the event into Murarte, asking our citizens to provide artists the facades of their homes for the paintings, which were initially produced on the panels.
Since then Murarte also had the recognition of different local governments that have followed, has seen an exponential increase in the number of works, which are now over 300, made from 233 national and international artists (12 nations represented ) and ranging from painting to sculpture to ceramics, in particular, the paintings embrace different playing techniques including fresco, graffiti, etc..
The earliest works now require their own maintenance and the fledgling school of painting can be the tool to retrieve and then display them in a protected place, as it could be to ex-Weaving Sonvico.
The creation in 1992, three paintings by Czech artist Pavel Hogel, Marek and Petr Trizuljak ii Zlamal also gave way to an artistic collaboration between artists of both countries, so that in 2001 and Vincenzo Verga group of Italian artists were invited to Namest 'na Hane' (Czech Republic) to create their paintings and establish a foundation for the emergence of a similar initiative in the new Republic Murarte Czech

Even today the work of artists continues, and the beginning of this November, at 21 Via Garibaldi, in the heart of Cadorago on the wall of a house, and appeared with a large sundial the writing center "Sine sileo sun" (without the sun is off), created by and Vendramin Fabrizio Ficcarelli Tullo, a disciple of Vanni Saltarelli.

Question: Over the years he has had the opportunity to meet celebrities and very important, that helped to bring forward an initiative like Murarte, but what were the most significant lessons from the point of view human?
Answer: My life was marked initially by objective difficulties, such as the fact that my mother is widowed with a young son to raise, the fact of not being able to follow my natural inclinations, studies, etc.. However, this was always able to find great solidarity and help from people of various social affiliations and locations.
course, for us, in the 50s and 60s, the first sale and then the first machine (a wooden wagon) were obviously the "objects of desire, but one we always referred to was the true value of simplicity and humility.
A recommendation that I can do to young people, who are now apparently everything and more, is to always look beyond, to also enhance their abilities that now seem "anti-values" because it is only by working on himself , opening up participation and sharing with others, that are realized dreams and passions that will be also the true wealth of a serene old age.